Showcase Gloomspite Gitz Skragrott the Loonking

Showcase Gloomspite Gitz Skragrott the Loonking

Published 2021-10-18

Skragrott the Loonking is the self-styled overlord the Gloomspite Gitz. His sinister presence upon the field of battle ensures his fellow grots fight with greater spite and cunning than ever.

Miniature Review

With the new range of Gloomspite Gitz (maybe not that new now!) I decided I had to get at least one, so I decided to go for the leader, Skragrott the Loonking. I've always added mushrooms to my Gloomspite miniatures, so having one that is half mushrooms, with them even growing out of his brains is amazing.

Having both the crown mixed amongst the mushrooms, and the loyal squigs carrying his royal robe behind him really identifies him on the battlefield as the leader. The moon fungus gives him both additional height, and a bright beacon to easily spot him amongst the rest of the army.

It's also great to see a lot of little details. Mushroom potion vials, talismans, moons, jewelry, a spider skeleton and tons and tons of various fungi. It gives you a lot to look at, but because they're all mostly small it doesn't draw your focus away from the focal points.

Painting Techniques

Along with Skragrott I also purchased the full range of contrast paints. They're marketed as an alternative method of painting. You either use the traditional method of base, layer and highlight, or you use the contrast range and just add a bit of highlighting.

Personally I plan to use them alongside each other. I think they'll work great for softer materials where I normally rely on shades to quickly get a base level of shading and highlighting which can then be added to when needed. For harder materials like metals I don't think they'll create the smooth finish I'm after, but could work great to replace the old glaze paints when thinned down.

Before starting, I gave the miniature an initial basecoat of Grey Seer. Whenever starting an area with a contrast paint I made sure to paint over any spills with the Grey Seer paint to ensure an even base layer.

Contrast Paints

Skin

Ork Flesh
Warboss Green
Skarsnik Green

Cloth

Black Templar
Ultramarine Blue
Hoeth Blue

Use multiple layers of Black Templar and a thin layer of Ultramarine Blue.

Silver

Leadbelcher
Nuln Oil
Leadbelcher
Runefang Steel
Necron Compound

Copper

Hashut Copper
Agrax Earthshade
Fulgurite Copper

Bark

Gore Grunta Fur
Wyldwood
Sylvaneth Bark

Only apply a thin layer of Gore Grunta Fur to give some variation when the Wyldwood is applied over the top.

Fur

Gore Grunta Fur
Golgfag Brown
Tallarn Sand

Leather

Gore Grunta Fur
Doombull Brown
Mournfang Brown

Bone

Morghast Bone
Rakarth Flesh
Agrax Earthshade
Ushabti Bone
Screaming Skull
Blood Angels Red
Flash Gitz Yellow

The Blood Angels Red and Flash Gitz Yellow were used to create the eye glow effect.

Teeth

Skeleton Horde
Ushabti Bone
Screaming Skull

Yellows

Iyanden Yellow
Dorn Yellow
Flash Gitz Yellow
Terradon Turquoise

Red Mushrooms

Blood Angels Red
Wild Rider Red
Corax White

The Corax White is used for the dots.

Bottles & Mushrooms

Aethermatic Blue
Terradon Turquoise
Corax White

The Terradon Turquoise was painted into the recesses, and the Corax White was thinned and applied to reflective areas.

Squigs

Skin

Blood Angels Red
Flesh Tearers Red
Mephiston Red
Evil Sunz Scarlet

The Flesh Tearers Red was applied to areas of shadow.

Spines

Abaddon Black
Mechanicus Standard Grey
Dawnstone

Eyes & Spots

Averland Sunset
Dorn Yellow
Flash Gitz Yellow

Teeth

Morghast Bone
Rakarth Flesh
Agrax Earthshade
Ushabti Bone

Basing

I started by adding a thick layer of Stirland Battlemire, then applied a shade of Agrax Earthshade and a drybrush of Tallarn Sand. I then applied some Citadel Scorched Grass in patches as well as some Leaf Litter. Finally, I painted around the edge of the base with Rhinox Hide, then Mournfang Brown.

Roundup

It was interesting testing out the contrast paints on a Games Workshop miniature. I had already tested them out on some miniatures I wouldn't otherwise paint just to see how quickly I could produce half decent results (it turned out to be around an hour a model). This was the first time using them when painting at a high standard (for me at least!).

I find the paints to produce quite unpredictable results, which isn't always ideal but can produce natural results. I am new still new to them so maybe after some more use I can learn to apply them in a more predictable way. It can be a pain going over every mistake with Grey Seer but at least the next layer always goes on quick.

I'll be messing around a lot more with the contrast range, but it certainly won't be replacing my current technique. Having them will definitely be a great tool to have at hand though, much like the technical paints and weathering paints and powders.

Gallery